Time Image Person 2004
thesis
Visual environment - working primarily with the phenomenon of packaging and wrapping... key concepts - time, image, personality, body as a container, packaging than fiction, bonding, consumer need for blindness. It consists of more than 20 projects, in terms of technology work for example with vocabulary J. Geržová - Fine lines Dictionary 20th st. and the practical implementation of all directions using a technique that provides the most obvious arte povera, site-specific, process-art, art from waste, environment, installation, video art (mail art, book author - text portion designed as an attachment = 69 pages, the main part = pictorial section - 300 pages. xero = colored paper, transparencies, tracing paper, laminates... photos, drawings...) Paperback: thesis was glued adhesive tapes of different colors, resulting in an impression of the ending of layering, with everything all connected, sticky element I believe in working for what connects theoretical and practical part - as I said that I will continue to stick. One version of the theoretical part was printed on blue paper - the reason: complementarity - an optical illusion, were bundled pink glasses for a printed version of white paper, the following have been enclosed for example cinnamon gum, all work was carefully packed in several packages and tied with a ribbon and was meant primarily as a gift. The tutor has received half of the image attachment and an opponent of the second part --- if they wanted to evaluate the thesis, was necessary to communicate with each other... They were bundled postcards and postage stamps for sending the evaluation the author, the creation of the thesis I have really enjoyed, and so was the intention that the recipients of this work and the reading taken at least as much as I enjoyed my work. Copy art, cumulation, the appropriation, does not avoid painting, sculpture, prints ... for the needs I have created a new concept – sign art = signing works. Project to serve the didactic point of view as a training device is self-explanatory. It was an interactive project, created and installed gradually over two years in different parts of the world (New York, Utah, Los Angeles, Bratislava, Martin, Banska Bystrica, Martin, Zvolen, Makarska Riviera...) was the most visible and cumulative in UMB KVU hall areas where the damage of Fake Street Walk, and where the project was later presented as a thesis. The most visible time - The "virus Joe" (the name was connected with the film Lemonade Joe - video single in a Dress I worked with color filters - blue and pink) was carried out by gradually sticking the areas of the department. I use different packages for different products, like sticking a transparent adhesive tape - the sound became significant for the entire project and during the presentation of the kite as the soundtrack as if it attacked the virus. The virus into the role I have styled me (its formation was dated the day of my birth - the official legally verifiable proof of existence). Virus, raised questions as traditional: whether art is more a matter of good technical skill in a final performance or thought, or ..., to express personal feeling of joy of creation. The theoretical part contains more species of my CV, one of them was the example of CV dressing, this work is in itself accumulates in almost everything I've ever created from childhood - it can be seen as a portfolio.
?as Image Osobnos? 2004
diplomová práca
VĂ˝tvarnĂ˝ environment – pracujĂşci predovšetkĂ˝m s fenomĂ©nom obalov a obalovania....k?Ăş?ovĂ© pojmy – ?as, image, osobnos?, telo ako obal, obal ako fikcia, lepenie, spotrebná potrebná slepota . TvorĂ˝ ho viac ako 20 projektov, z h?adiska technolĂłgie pracujem napr. so slovnĂkom J. GerĹľovej – SlovnĂk vĂ˝tvarnĂ˝ch smerov 20. st. a v praktickej realizácii pouĹľĂvam všetky smery a techniky ktorĂ© uvádza, najviditelnejšie arte povera, site specific, procesuálne umenie, umenie z odpadu, environment, inštalácia, videoart (mail art, autorská kniha - textová ?as? = koncipovaná ako prĂloha 69 st., hlavná ?as? = obrazová ?as? - 300 str. xero = farebnĂ© papiere, fĂłlie, pauzák, lamináty...foto, kresby... – väzba: diplomová práca bola lepená lepiacimi páskami rĂ´znych farieb, vĂ˝sledkom bol dojem nekon?iaceho sa vrstvenia, všetko so všetkĂ˝m sĂşvisĂ, lepivĂ˝ element povaĹľujem v práci za to, ?o prepája praktickĂş a teoretickĂş ?as? - ke?Ĺľe som uviedla, Ĺľe v doliepanĂ budem na?alej pokra?ova? – 1 verzia teoretickej ?asti bola vytla?ená na modrom papiery – dĂ´vod: komplementarita – optickĂ˝ klam, pribalenĂ© boli ruĹľovĂ© okuliare pre verziu vytla?enĂş na bielom papieri, ?alej boli pribalenĂ© napr. škoricovĂ© Ĺľuva?ky, celá práca bola starostlivo zabalená v nieko?kĂ˝ch obaloch a previazaná maš?ou a bola myslená predovšetkĂ˝m ako dar?ek, pri?om vedĂşci diplomovej práce dostal polovicu obrazovej prĂlohy a oponent druhĂş ?as?---ak chceli hodnoti? diplomovĂş prácu, bolo potrebnĂ© aby spolu komunikovali..pribalenĂ© boli aj poh?adnice a poštovĂ© známky, ur?nĂ© na zaslanie hodnotenia autorke ?, tvorbu diplomovej práce som si naozaj uĹľĂvala, a tak bolo zámerom aby si aj recipienti tejto práce jej ?Ătanie uĹľĂvali aspo? tak, ako som si ja uĹľĂvala jej tvorbu) copy art, kumulácia, apropriácia, nevyhĂ˝bam sa ani ma?be, soche, grafike, kresbe... pre vlastnĂ© potreby som si vytvorila novĂ˝ pojem - signizmus = signovanie diel) projekt slúžil z didaktickĂ©ho h?adiska ako vĂ˝u?bová názorná pomĂ´cka), projekt bol interaktĂvny, vznikol a bol inštalovanĂ˝ postupne v priebehu 2 rokov v rĂ´znych ?astiach sveta (New York, Utah, Los Angels, Bratislava, Martin, Banská Bystrica, Martin, Zvolen, Makarska riviera...) najviac bol kumulovanĂ˝ a vidite?nĂ˝ v chodbovĂ˝ch priestoroch UMB KVU, kde vznikla ulica Walk of Fake, a kde bol projekt neskĂ´r aj prezentovanĂ˝ ako diplomová práca – jeho najviditelnejšia ?as? – projekt „vĂrus Joe“ (názov sĂşvisel s filmom LimonádovĂ˝ Joe – vo videách Jedenie a Obliekanie som pracovala s farebnĂ˝mi filtrami – ruĹľovĂ˝m a modrĂ˝m) bol realizovanĂ˝ formou postupnĂ©ho obliepania priestorov katedry (pouĹľĂvala som rĂ´zne obaly od rĂ´znych produktov, lepila som priesvitnou lepiacou páskou – jej zvuk sa stal signifikantnĂ˝ pre celĂ˝ tento projek a po?as prezentácie bol púš?anĂ˝ ako soundtrack) akoby ju napadol vĂrus – do role vĂrusu som sa štylizovala ja ( jeho vznik bol datovanĂ˝ d?om mĂ´jho narodenia – oficiálny právne overite?nĂ˝ dĂ´kaz existencie) vĂrus vzbudzoval tradi?nĂ© otázky, ?i je umenie viac záleĹľitos?ou dobre technicky zvládnutej vĂ˝slednej realizácie alebo myslenia, alebo ..., s cie?om vyjadri? osobnĂ˝ pocit radosti z tvorenia, teoretická ?as? práce obsahovala viac druhov mojich Ĺľivotopisov, jednĂ˝m z nich bol napr. Ĺľivotopis obliekania, táto práca v sebe kumuluje v podstate všetko, ?o som doteraz vytvorila od detstva – je moĹľnĂ© ju vnĂma? ako portfĂłlio.
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